Wednesday, June 22, 2016

"The Heart Knows Better," by Ken Kimmelman

Aesthetic Realism anti-prejudice PSA
The Heart Knows Better
It's a great time to see this important PSA! In fact, it should be broadcast and shared EVERYWHERE. See it here: "The Heart Knows Better."

Against Racism, For Truth and Kindness

One of the most important statements I've seen is this, by Bishop Frederick C. James, of the African Methodist Episcopal Church:
I'd like to say what's in my heart. What this nation needs is more caring across ethnic lines. I think our nation and the world needs what Eli Siegel, the great founder of Aesthetic Realism, the philosophy of life in America and the world, teaches. It's certainly in harmony with the great religious scriptures and the heart of all faiths across this globe.
Bishop James, African Methodist Episcopal Church
Bishop James
I am proud to agree with the careful and large opinion of Bishop James. And I am grateful to Alice Bernstein and the Alliance of Ethics & Art for publicizing his comment, for her courageous writings and videos and so much more.

Our nation and the world sorely needs Aesthetic Realism, including its understanding of how people of different backgrounds, religion, ethnicity, can see each other with respect and real affection. I write from personal experience. Though I saw myself as progressive, before studying Aesthetic Realism I had prejudice against people of other nations, backgrounds, and religions. I learned that the cause was contempt, the desire to make less of the world in order to build oneself up falsely. I thought I was clever and superior in looking down on people I saw as different. I regret this very much. It's the ugliest attitude in the world, and I had it. I have learned, too, that there is a bigger power in seeing other people truly; a true pride, gratitude, excitement, and size of emotion in feeling "I'm added to by what is different from myself." But contempt, because it is not understood and criticized, is a powerful and dangerous force in the world today.

Remain or Leave?
UK EU membership vote ballot
Here is just one example: England, my country of birth, which I love, has voted to leave the European Union. Left and Right were both divided on the issue, for various reasons.

One thing that's clear is that the forces of hatred and racism have been stirred up and exploited during the campaign. Refugees have being wrongly blamed for the destruction of social services in Britain, including the deterioration of the National Health Service. They are being made a scapegoat for the real culprit, the policies of austerity that have been imposed on poor people in Britain and all over the world.*
Refugees in the UK
This is cruel and it's hazardous. It is also not true. It is like the anger and contempt evoked through lies by Hitler in the 1920's and 1930's.  Eli Siegel explained in an issue of The Right of Aesthetic Realism to Be Known:
It is necessary to see that while the contempt which is in every one of us may make ordinary life more painful than it should be, this contempt is also the main cause of wars. It was contempt that made for the trenches of France in 1915; it was contempt which made for the labor camps of the Second World War. It was contempt which made for that awful mode of retaliation called Nazism...Hitler is perhaps the greatest evoker of human contempt in history...Contempt for the world simply because it is different from oneself is an insane principle of great place in history.
People in the UK, angry at the vast profits a few corporations are making while they themselves face a lower standard of living - that increasingly includes includes unemployment, homelessness, and hunger - are retaliating, as they see it, against a target that is not to blame for their woes. Contempt for refugees and suspicion of them is being evoked on a massive scale. It's as if half a nation is hardening itself to the reality of people they do not know and see as different from themselves, and hostile. In reality, they should be angry at the profit-driven economy that has brought them to this state, not at that person called a refugee, who is so desperate that he flees his homeland and travels across countries, even continents, to try to find a decent life and future for himself and his family.

It is urgent for people to learn from what Ellen Reiss, Aesthetic Realism Chairman of Education, has been teaching about the cause of and answer to racism. She wrote this some years ago, and it needs to be taken up now more than ever: 
...for racism to end we have to be against the thing it begins with: contempt for the world itself. Further, racism won’t be effectively done away with unless it is replaced with something that has terrific power. What needs to replace it is not the feeling that the difference of another person is somehow tolerable. What is necessary is the seeing and feeling that the relation of sameness and difference between ourselves and that other person is beautiful. People need to feel, with feeling both intimately personal and large, that difference of race is like the difference to be found in music: two notes are different, but they are in behalf of the same melody; they complete each other; each needs the other to be expressed richly, to be fully itself.
It is possible for millions of men, women, and children to have an emotion about race that is like an art emotion. And it is necessary...
Aesthetic Realism has the understanding, the uncompromising and precise criticism of contempt, AND the means for people to truly care for - have large emotions about - the sameness-and-difference that other people represent. It can literally end the toxic, brutal, and uncivilized force in the world today that is racism. I have experienced, through careful study, this change in my own life, and I know it is true. Let us do all we can to have everyone else around the world know this.  

* *Read about how Aesthetic Realism sees the economic policy known as austerity, and its true meaning and purpose.

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Thursday, May 05, 2016

Aesthetic Realism & a Beautiful and Profound Novel Against Racism

I recently saw a stirring, deep, kind and most surprising event at the Aesthetic Realism Foundation in NYC: "GWE: YOUNG MAN OF NEW GUINEA - A Novel Against Racism." Written by Dr. Arnold Perey, anthropologist and Aesthetic Realism consultant, and presented by the author together with actors Anne Fielding and Bennett Cooperman of the Aesthetic Realism Theatre Company, this presentation included singing, with beautiful flute accompaniment by Barbara Allen, dancing, slides, and the dramatic reading of chapters of Gwe. Like other audience members, I was transported in mind and spirit across land and time to the home of the young man, Gwe. 

Rainbow in the Valley: Papua New Guinea, by Arnold Perey

We lived through the stirring events of the book, including an intense and ultimately shocking conflict between the arrogant, colonial police force and the downtrodden, indigenous people of Ketta-bora, just a short distance from where Gwe was born. 

From "Gwe," by Arnold Perey
We are made witness to Gwe's birth, and to a profound and keen understanding of how parents anywhere in the world may feel about the birth of a child; to dramatic incidents of his childhood; to brutal economic injustice and what causes it; and to the first meeting between Gwe and the American anthropologist, Alan Hull, who has come across the ocean to study Gwe's people for his PhD field study work. They look different and see each other as so different at first, but the great theme of this novel is the finding of deep and remarkable sameness within difference. 

Gwe is a work of great importance, the serious study of which could change the world.



Tuesday, April 05, 2016

What Does It Mean to See Another Person Rightly?

Aesthetic Realism is the greatest critic of injustice; that's why it has the power to end racism but has made a few selfish people angry. 

In an early issue of The Right of Aesthetic Realism to Be Known, Eli Siegel wrote:
The purpose of Aesthetic Realism is to encourage a person to see other persons rightly and to see what it means for himself to be seen rightly...
According to Aesthetic Realism, anything which does not see a man or a woman as illustrating all of reality is disrespectful to that man or that woman. Another phase of disrespect is the unwillingness to see someone as having an inward life he is aware of. The most fashionable way of not giving respect to a person is the not giving him full, busy, deep consciousness. A person can be defined as: A living being who is aware of himself and of his particular, changing life.
I love these sentences, and have done ever since I first heard them read on a Saturday dramatic presentation over thirty years ago. They are sociological, political (would there be such ferocious and tricky attempts to deny voting rights to millions of people if American citizens were seen this way?), psychological, ethical, and beautiful. Moreover, they illustrate the way Eli Siegel saw, which became Aesthetic Realism itself. This is the way I was seen first in Aesthetic Realism consultations, and now in classes taught by Ellen Reiss, the Chairman of Education.

In consultations I learned that I was related to Puck, from Shakespeare's play A Midsummer Night's Dream," to Sidney Carton from Dickens' A Tale of Two Cities, to Oliver Cromwell of the 17th century, to poet Matthew Arnold, to George W. Bush, Winston Churchill, and more. The relations were true, usually involved criticism of a self-centred way of seeing I had but disliked myself for, and made me feel proud. I learned that I could think about my attitude and become a stronger, kinder, better person.

I also learned how I was related to the students I taught, to friends, to objects such as the sturdy, warm-coloured three-legged wooden table in my apartment. I wanted to put together opposites the way it did; I wanted to be strong but also warm, not harsh and aloof.  And I learned I was related to my own family. That's not meant to be a joke! I thought I was the sensitive one in my family, and I looked down on my parents and sister. I saw myself as so different from them.  I learned I was WRONG! I treasure the changes that happened in how I saw the members of my family because of my study of Aesthetic Realism. As a result, I feel closer to all people, connected to the world in a way that would have been just impossible without what I have learned.  And this brings me to the subject of racism.

No one can be a racist if they see that the other person is, as Mr. Siegel wrote, a "living being who is aware of himself and of his particular, changing life." As you think of this, you respect another person for the depth they have. (For more on how Aesthetic Realism sees racism itself, see the Online Library). A writer who put this way of seeing consciously into his short story, though it deals with the subject of the family, and not race as such, is Sheldon Kranz. Sheldon Kranz was also a teacher of literature, a poet, and an Aesthetic Realism consultant.

His story, "My Mother Was a Girl," gives an inner life, a reality, to a person most sons do not see as having one. I respect it immensely as literature and as a valuable example of how one human being can change, and see another with depth and wonder.

Thursday, March 24, 2016

True Poetry Opposes Racism


I still remember the first time I read a lecture (transcribed) by Eli Siegel, the founder of Aesthetic Realism. His words, and the principles behind them, had me understand myself for the first time in my life. And what also amazed me was that he used poetry and literature to understand the human self. I thought it was beautiful and kind that the great art of the world was seen as throwing real, logical light onto our questions, uncertainty, confusion. 

Then there is the poetry of Eli Siegel himself. Beginning with his 1925 prize-winning "Hot Afternoons Have Been in Montana," there was a depth of seeing people and the world that was new. About it, William Carlos Williams wrote, "I say definitely that that single poem, out of a thousand others written in the past quarter century, secures our place in the cultural world." 

That Aesthetic Realism understanding of poetry and life is implicit in a more recent poem I care for, by Ellen Reiss.* Even though from one point of view it's not about racism, - not overtly anyway - it has such deep and sensitive feeling, and insight, into what it means to be a human being, that I'm linking to it from this blog. As you read it you can ask, could this be describing a person of any race, any background? We feel, this is a person, a self. And after all, you can't get much more multiethnic than the New York she is writing about! 

This is the beginning of the poem "Welcome Your Confusion as a Guest," by Ellen Reiss: 


"Walk swiftly in the wet November day, 
 On the sidewalk that is pink from the sun, 
 Somewhere in New York. 
 Watch puddles tremble in the street 
 As the cars move over them. 
 You hold your jacket tight around you,--
 It is soft and warm against your body 
 And the wind is cold across your cheeks..."


Read the whole poem here.

And you can see the poem read aloud as the narrative for a video created by Georgie James here. 
*Ellen Reiss is the Aesthetic Realism Chairman of Education and editor of the The Right of Aesthetic Realism to Be Known. 


Tuesday, October 20, 2015

Why is Aesthetic Realism needed in 2015?

With all the remarkable technological developments of recent years, including stem cell transplants, the mapping of the human genome, and the ongoing exploration and investigation of space, it is shameful that completely avoidable cruelty such as that of racism is still widespread in the world. It is also deplorable that the means to understanding and ending such cruelty – Aesthetic Realism, the education founded by Eli Siegel – has been available since 1941 but not widely known. To understand the reason for this see the important Countering the Lies website.  

British historian and writer H G Wells’ statement that “Human history becomes more and more a race between education and catastrophe”
resonates with us perhaps more today than ever, as the urgent global issues of climate change, access to water for drinking, war and the refugee crises spawned by war, necessitate, not competition and combativeness between people, but cooperation and kindness.
 

Education vs catastrophe race clarified by study of Aesthetic Realism

A recent issue of the journal "The Right of Aesthetic Realism to Be Known" deals importantly, deeply, definitively with the issue of empathy -- fellow-feeling -- and what stops people from having it.  In Fellow-Feeling, & What's Against It, Ellen Reiss, the Chairman of Education, writes:
The biggest matter in the life of everyone is how we see other people. And how people see people is the biggest, most urgent matter affecting the world itself: it determines the decisions of nations, including whether there will be war or peace; it determines how wealth is distributed; what laws are made; how persons of different ethnicities and religions treat each other...
She continues:
Eli Siegel explained that there is a fight going on in every person: “the fight between respect for reality and contempt for reality”(TRO 151). Contempt is the feeling that we’ll take care of ourselves by lessening things and people, looking down on them, using them to aggrandize ourselves, seeing them as less real than we are. It is gigantic, subtle, has thousands of forms. And our contempt is in a fight all the time with the deepest desire we have: to see meaning in things and people. Unless we’re studying this fight as Aesthetic Realism describes it, “empathy” will not prevail in us and humanity. That’s so whether it’s a matter of having large, effective feeling for people suffering in a war; or for a person requesting money on the street; or for a relative whom we may hug but not want to understand.
There is nothing more important in 2015 than understanding what interferes with fellow-feeling and learning how to have it. Ms. Reiss explains and discusses, with scholarship and deep feeling, four things taught by Aesthetic Realism that are needed.

One of the things she makes clear, and this is not taught anywhere else, is that we can feel more important not being stirred by anything or anyone. Hence the title, which I think is beautiful, "Fellow-Feeling, & What's Against It." This issue of "The Right of Aesthetic Realism to Be Known" is a must-read; it needs to be the basis of a global study, now! 

Diminishing what is not ourselves in order to boost our own importance is so common and so ordinary. Yet it causes not only our own feelings of shame but the economic brutality that is so much with us. Could the situation shown in this image exist were the 1% not diminishing the 99%? (And the great weakness of the 99% is the tendency of our own to diminish others). 
Aesthetic Realism criticizes economic injustice as based on contempt.
What Aesthetic Realism teaches is key to having social justice, international peace and solidarity, having lives we can be proud of, and to ending the cruelty of racism.  

Aesthetic Realism says oneness of opposites - beauty - can defeat racism.
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